{"id":142,"date":"2007-11-26T15:22:12","date_gmt":"2007-11-26T15:22:12","guid":{"rendered":"http:\/\/re-photo.co.uk\/?p=142"},"modified":"2007-11-26T15:22:12","modified_gmt":"2007-11-26T15:22:12","slug":"the-picture-lady-martine-barrat","status":"publish","type":"post","link":"http:\/\/re-photo.co.uk\/?p=142","title":{"rendered":"The Picture Lady &#8211; Martine Barrat"},"content":{"rendered":"<p><strong>Martine Barrat<\/strong>&#8216;s show \u0093Harlem In My Heart\u0094 is at the <em>Maison Europ\u00e9enne de la Photographie<\/em> in Paris until January 6th, 2008, and I spent quite a while looking at her warm record of her over 30 years in Harlem and the many friends she has photographed.<\/p>\n<p>You can see some of the best of her pictures at <a href=\"http:\/\/www.contactpressimages.com\/portfolios\/barrat\/barr_bio.html\" target=\"_blank\">Contact Press<\/a> and more of her work at her <a href=\"http:\/\/martinebarrat.com\/\" target=\"_blank\"><em>own web site<\/em><\/a>, which suffers from a rather odd flash interface (the kind of thing fortunately that seems very dated now, but is worth persisting with.<\/p>\n<p>As well as her work from Harlem, there are also a number of other galleries on her web site, though I got too annoyed with the site to look at them all. There are some nice black and white images from the <em>Goutte d&#8217;Or<\/em> (<a href=\"http:\/\/www.parisvoice.com\/index.php?option=com_content&amp;task=view&amp;id=159&amp;Itemid=27\">Paris Voice<\/a> describes it as &#8220;<em>a tiny patch of Africa transported to Paris<\/em>&#8220;) at the eastern edge of the 18e.<\/p>\n<p>Barrat was born in Algeria but grew up in Paris. She moved to New York in 1968,  at first to co-ordinate a theatre workshop working with a jazz group, later becoming a photographer and film-maker.  One of her early films was on youth gangs in the South Bronx, and was shown at the <em>Whitney Musuem<\/em> in New York as a part of the exhibition with her still photos, &#8220;<em>You Do the Crime, You Do the Time<\/em>&#8220;, later winning a prize for best documentary in Milan.<\/p>\n<p>She became well-known as &#8220;the Picture Lady&#8221; for the images she took  around Harlem in the 1970s and later. Her first book,  on young boxers, &#8216;<em>Do or Die<\/em>&#8216; (1993) had an introduction by Gordon Parks and a foreward by Martin Scorcese.<\/p>\n<p>You can read a more detailed resume on her web site, in <a href=\"http:\/\/martinebarrat.com\/flash\/resume.html\" target=\"_blank\">English <\/a>or French.<\/p>\n<p>It is certainly a body of work that shows her heart is in Harlem and warms the heart of the viewer. It&#8217;s work that comes from being very much a part of the community she is photographing, and includes some displays of pictures pasted up like those that she made on the walls of a Harlem community centre.<\/p>\n<p><font color=\"#999999\" face=\"Verdana, Arial, Helvetica, sans-serif\" size=\"2\"><font color=\"#666666\"><em>Peter Marshall<\/em><br \/>\n<\/font><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martine Barrat&#8216;s show \u0093Harlem In My Heart\u0094 is at the Maison Europ\u00e9enne de la Photographie in Paris until January 6th, 2008, and I spent quite a while looking at her warm record of her over 30 years in Harlem and the many friends she has photographed. You can see some of the best of her &hellip; <a href=\"http:\/\/re-photo.co.uk\/?p=142\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Picture Lady &#8211; Martine Barrat<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2,5],"tags":[],"class_list":["post-142","post","type-post","status-publish","format-standard","hentry","category-photographers","category-reviews-etc"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=142"}],"version-history":[{"count":0,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/142\/revisions"}],"wp:attachment":[{"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=142"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/re-photo.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}