Solidarity protests on Friday 10th October 2014 and some extreme wide angle views in the City of London.
Solidarity for Care UK Strikers – Care UK, Southwark
Protesters outside the offices in Great Guildford St
The protest by members from the National Shops Stewards Network, Trade Unionist and Socialist Coalition and Southwark Unison was one of many around the country in a nation-wide day of solidarity with Doncaster Care UK workers who had been on strike for 81 days after huge cuts in pay and services were made by a private equity company who have taken over this part of the NHS.
Care UK is now owned by Bridgepoint, which also owns businesses including Fat Face and Pret a Manger. The workers are on strike not just over cuts in their own wages, but also against the changes in how Care UK is allowed to operate by the new bosses. What was formerly a values-based health service able to address the needs of those with learning disorders in their own community has been radically altered to providing minimum standards of service at the lowest possible cost to get the greatest profits for Bridgepoint, and for the company they will be sold on to once the private equity company has slimmed services and pay to the bone.
The current unrest in Iran following the death of Mahsa Amini after her arrest by the morality police’ for allegedly wearing her hijab improperly, so that some of her hair was visible is unprecedented, but women there have been oppressed by religious police since the 1979 Islamic Revolution.
An Iranian woman who cannot go back to Iran
In 2014 former SOAS Law student Ghoncheh Ghavami was arrested and detained with other women for going to try to watch a volleyball match in Tehran. At the time of the protest outside SOAS University of London she had been held for 104 days and had been on hunger strike for 10 days. The protesters included a number of Iranian students one of whom told the protest she could not return to Iran as the TV coverage of a volleyball game in Rome had shown her reacting to a score.
The rally was supported by staff and the SOAS staff unions UCU and Unison, as well as by the SOAS Student Union, and some students took part in a day’s hunger strike in solidarity and there was a candlelight vigil. Ghavami was released on bail on 23 November 2014 and later sentenced to a year in jail and a two-year travel ban for “propaganda against the regime”.
I had an hour or two to spare before the next protest I was to cover and spent some of this walking around the city and making some extreme wide-angle photographs.
Although these pictures have a normal aspect ratio, they have a horizontal angle of view of over 145 degrees and a vertical angle of around 90 degrees, only possible by using a lens which does not give the more normal ‘rectilinear’ perspective but represents the scene with some curvature.
The Palestinian Prisoners Campaign continued their campaign against Hewlett-Packard, which boasts of ‘a massive presence’ in Israel and are the IT backbone for the Israeli war machine with a picket outside their London offices.
Police watched the protest across the street from HP’s offices carefully and umbrellas in the colours of the Palestinian flag and large banners made the protest very visible. Speeches and posters taped on the pavement gave details of HP’s involvement in the oppression and imprisonment of Palestinians which were also stated on the leaflets the protesters handed out.
Solidarity with the Umbrella Revolution – Chinese Embassy
Umbrellas were also on display at the protest around the doorway of the Chinese Embassy on Portland Place organised by the National Campaign Against Fees and Cuts in solidarity with the ‘umbrella revolution’ of the students and workers of Hong Kong in their fight for democracy.
Most of the umbrellas were on posters and placards, though some protesters carried small yellow paper umbrellas and there were just a few full-size ones too.
Police tried to move the protesters to the other side of the road, but they refused to move. They called for the immediate release of all the arrested, an end to the suppression of peaceful assembly, replacing the “fake universal suffrage” formula with the genuine political reform workers have been demanding, and the resignation of Chief Executive Leung Chun Ying.
Thursday 6th October 2016 was another of those varied days I love. I began with a lunchtime protest against victimisation and nepotism by cleaners, then went for a walk by Bow Creek before finally photographing a protest outside RIBA where the annual Stirling Prize presentation was taking place.
Cleaners demand ‘End Nepotism’ – 155 Moorgate
The Independent Workers Union CAIWU occupied the lobby of Mace’s headquarters building in Moorgate at lunchtime protesting noisily against cleaning contractor Dall Cleaning Services. I met the cleaners and supporters outside Moorgate station where they got out posters and a banner before marching quietly to pay an unannounced visit to Mace’s headquarters building where they walked into the lobby and started making a lot of noise.
They called for the reinstatement of two cleaners who they say were dismissed illegally without proper notice or other procedures being followed. They say that the cleaners have been dismissed simply to give jobs to members of the family of a Dall Cleaning Services supervisor.
After around 15 minutes a police officer arrived, but it was too noisy to hear what he was saying and the protest continued. He stood a little to the side and called for reinforcements, and as these arrived the protesters walked out to join those who had stayed outside and the protest continued on the pavement for another 20 minutes.
Police came to tell the protesters they were making a lot of noise, and were told that was the idea – they came here to do so and shame Mace and Dall Cleaning Services.
Eventually another officer who had been present at several previous CAIWU protests arrived and was told they would soon be stopping.
And after a couple more minutes, Alberto ended the protest with the usual warning “We’ll be back – and that’s a fact”.
I had the afternoon to fill before the next protest and it was a fine day so I decided it was time to take another trip to Bow Creek. I took the DLR from Bank to West India Dock to start my walk, and took the opportunity and a fairly clean train window to take a few pictures on my way there.
City Island is not quite an island
I walked over the Lower Lea Crossing, which provided a view of work which was now rapidly going ahead on ‘City Island’, where a loop in Bow Creek goes around what was previously the site of Pura Foods. This development had stalled with the financial crash in 2008 but was now in full swing.
From there I walked on along the elevated Silvertown Way, giving views of the surrounding area, before taking the DLR back to Canning Town, again taking advantage of a fairly clean train window on the ride.
Rather to my surprise, at Canning Town I found that the exist to the riverside walk was finally open. I think the walk here beside Bow Creek was constructed in the 1990s and I’d been waiting for around 20 years for this exit from the station to open and give access to it. I didn’t have as much time left as I would have liked but did make a few pictures.
For years there have been plans to create a walk from the path beside the Lea Navigation at Bromley-by-Bow to the Thames at Trinity Buoy Wharf, and the section as far as Cody Dock had opened a few years earlier – with the ridiculous name of ‘The Fatwalk’. It hasn’t really got any further yet, though at least it has been renamed as the ‘Leaway’.
Many of the protesters wore masks showing RIBA President Elect Ben Derbyshire
Architects for Social Housing (ASH) led a protest outside the Stirling Prize awards ceremony pointing out that one of the short-listed projects, Trafalgar Place, was built on the demolished Heygate Estate, which was ‘stolen from the people’ with hundreds of social housing tenants and leaseholders being evicted and the site sold at one tenth of its value to the developers.
‘Architecture is Always Political!’, a quote from Richard Rogers
Together with other housing protesters than held their own awards ceremony on the pavement in front of the RIBA building, awarding the ‘O J Simpson Award for getting away with murder’ to drMM Architects for this project, the first phase of Lendlease’s £1.5 billion Elephant & Castle redevelopment. This will replace 1214 social housing homes with few or no affordable homes.
There were no other contestants for the Ben Derbyshire Foot In Mouth Award than RIBA President Elect Ben Derbyshire but there was a vote to select which of five of his totally ridiculous statements by him about social housing should be the winner.
Among those at the protest were residents opposing the demolition of the Aylesbury estate, close to the Heygate, where Southwark Council are also demolishing social housing properties rather than carry out relatively low cost Aylesbury estate,that was voted for by the residents and could continue the useful life of these properties for many years.
Simon Elmer of ASH holds up the award for the ‘O J Simpson Award for getting away with murder’ awarded to drMM Architects and developers Lend Lease for Trafalgar Place
Estate demolition has a huge social and environmental cost and schemes like these in the borough of Southwark result in huge losses of social housing. But they provide expensive properties often sold largely to investors who will never live in them and large profits to the developers. Councils hope to share in these profits, but on the Heygate made huge losses, though some individuals involved have gained highly lucrative jobs.
Isle of Dogs and Class War: The weather was fine on Wednesday September 3rd 2014, with some nice clouds which made it a good day for some more panoramic photographs, and I went up earlier in the day to continue my pictures around the Isle of Dogs before covering an evening protest by Class War in Aldgate.
Isle of Dogs – Island Gardens to South Quay
Back in the 1980s I set out to photographed extensively in London’s docklands, part of a wider project on the de-industrialisation of the city, partly a response to changes in technology and globalisation, but greatly accelerated by the Thatcher government which saw great opportunities for their supporters profiting by a switch from manufacturing to service industries.
The government policies perhaps made some sense at the time – and certainly made some large profits for the friends and supporters of the Tories, but in many ways we are paying for them now, particularly for their ‘selling off the family silver’ by privatising utilities and other publicly owned activities.
In the docks the main changes were due to containerisation and other efficient ways of handling cargo. Much larger vessels came into service and the long journey up the River Thames to London’s Docks was difficult or impossible, as well as adding significantly to turn-around times. Only Tilbury, miles closer to the sea remained viable.
The changes to Docklands could have been managed for the benefit of the existing populations to the area, with development being carefully planned and managed locally. Instead we got the London Docklands Development Corporation which overrode local interests to benefit those of corporations but did produced a more rapid development than would otherwise have taken place. But it was a huge give-away to private developers, resulting in dramatic changes, and one that the area will continue to suffer from for generations.
Many of my pictures from the 1980s in colour as well as black and white are now available on Flickr in a https://www.flickr.com/photos/petermarshall/albums number of albums and there are also a number of books available on Blurb (in print and as PDF) with the Isle of Dogs being included in City to Blackwall ISBN: 978-1-909363-09-0 which has a working preview.
My walk in 2014 began at Island Gardens DLR station, where I had finished a previous walk, and I continued along the riverside path to the Blackwall Entrance, across to Poplar Dock and Blackwall Basin, down Prestons Rd and Manchester Road to East Ferry Road, and then up and around a little on my way to South Quay Station.
In 2014 I was mainly making digital panoramic photographs, with a horizontal angle of view of around 145 degrees – much greater than can be achieved with a normal rectilinear perspective. These pictures use a projection which keeps vertical edges straight and also gives a straight horizon line (so long as the camera is kept level) but other lines and objects away from the centre of the image curve. Similar projections were used by artists such as Canaletto. These images here have a aspect ratio of 1.9 to 1.
There are two posts on My London Diary with many more panoramas and a few ‘normal’ views from this walk: Isle of Dogs Isle of Dogs Panoramas
Class War ‘Poor Doors’ picket Week 6 – Aldgate
I got back a few minutes early to where Class War were to stage their sixth weekly protest against the separate doors for the wealthy residents and social housing tenants in the block ‘One Commerical St’. The entrance for the rich is on Whitechapel High St next to Aldgate East station while the poor door is down an alley on the west side of the building.
Unlike in previous weeks there were police already there and waiting for the protesters, a sign that the police were taking a firmer stance against the protests here. Almost certainly they were responding to pressure from the owners of the building, and their activities against the protesters were to heighten further in later weeks.
When the protesters arrived, officers immediately came and talked to them, making it clear that they were not to block the doorway for people entering or leaving the building.
More police arrived, outnumbering the small group of little more than a dozen protesters who had come to hand out leaflets to people on the street outside. Many passing expressed surprise that this kind of segregation of rich and poor was allowed to happen in London and showed support for the protest.
It was perhaps the smallest of the series of thirty or so ‘Poor Doors’ protests outside this building. There were quite a few arguments with police officers but no arrests on this occasion.
Regent’s Canal 200 Years at UCH – As this post goes online today, Thursday 7th April 2022 I am helping with the hanging of a dozen of my pictures, half of a joint show, Myths & Realities, with artist Hilary Rosen at The Street Gallery in University College Hospital on Euston Road.
The show was due to open in March 2020 as we went into Covid lockdown, and although now our government seems to think Covid is all done with, others know better and there are still restrictions in place in hospitals, so we are unable to host an opening. And although you are very welcome to visit the show you will need to make an appointment by emailing guy.noble@nhs.net at UCH. Both Hilary and I have invitation cards and are handing out copies to people we meet as well as sending some by post and more electronically – and the two images show both sides of mine. I’m very sorry I won’t be able to see you all there.
Below is a little more about my project which is in the show. As well as the 12 pictures on the wall at UCH I have put a larger group including these in an online album, Regent’s Canal 200 Years.
The Regent’s Canal was opened in 1820 to connect the inland canal system to the River Thames at Limehouse, so 2020 was its 200th anniversary. To commemorate this I began a series of colour panoramas along the canal for an exhibition in March-April 2020 at The Street Gallery in University College Hospital London, half of a joint show, ‘2020 Vision – Vistas and Views’ with artist Hilary Rosen. Unfortunately this show had to be postponed due to COVID-19, but has now been rescheduled with the title ‘Myths & Realities’ for 8th April 2022– 18th May 2022 at The Street Gallery, University College Hospital, 235 Euston Rd, London, NW1 2BU.
I first photographed the Regent’s Canal in 1979 and have taken many pictures along it over the years since then. I began my work for ‘Regent’s Canal 2020’ early in 2019 and made around eight visits in the following 12 months, producing several hundred images, of which 43 are online.
These images have an extremely wide angle of view, is roughly similar to the entire field of human vision and to record this on a camera and in print requires a move away from normal rectilinear perspective. They use a cylindrical perspective which retains vertical lines and edges as straight lines but shows other straight lines (except those passing through the image centre) with varying curvature, more pronounced towards the edges of the image. I’ve worked with various equipment in this way since around 1991 when I first bought a specialised panoramic camera.
Exhibiting on-line enables me to show more images than the 12 I had selected and printed for the UCLH show. They are presented in the order of a walk from Little Venice where the Regent’s Canal leaves the Paddington Arm of the Grand Union Canal, a pleasant walk of around 9 miles (with a couple of diversions for tunnels) which can easily be done in a day if you are not stopping to make pictures.
All images are available either as unframed C-Type photographs (image size approximately 16×9″ or 16×10.5″) at £220, as 40x60cm latex prints on canvas (£200) or as 40x60cm dye sublimation prints on canvas (£220). Dye sublimation prints are less intense and carry the image in the canvas, while latex inks sit on the canvas surface and give a more photographic effect.
Outsourcing, North Woolwich & Class War v. Rees-Mogg. Three years ago on Tuesday 26th February I spent the morning photographing several protests against outsourcing, had a rather late pub lunch, then went to North Woolwich for a short walk before rushing back to meet Class War who were protesting outside a Palladium show by Jacob Rees-Mogg.
Rally for an end to Outsourcing
A legal challenge was taking place at the High Court on this day to extend the employment rights of the 3.3 million workers whose jobs are outsourced from the companies where they work to contracting companies which then sell them back to their place of employment at cut rates.
Labour Shadow Business minister Laura Pidcock
The contractors do this by cutting wages, trimming things such as pensions, maternity pay and holiday pay to the bare legal minimum, increasing workload and reducing hours of work and often bullying managers. Outsourced workers generally have little job security and are often denied necessary safety equipment and not given proper safety training.
Workers, mainly migrants who work for the Ministry of Justice, Dept for Business, Energy & Industrial Strategy and the University of London were taking part in a one day strike in a coordinated action by the UVW and IWGB trade unions and the BEIS PCS branch to demand an end to outsourcing and the insecurity, discrimination and low pay it causes. They had started their march at 8.00am at the University of London and after a rally outside the High Court had marched to Parliament Square where I met them at 11am.
From Parliament Square the marchers went on to hold a further rally outside the Dept for Business, Energy & Industrial Strategy in Victoria St. Those striking at the BEIS included catering and security staff who are members of the PCS and are demanding the London Living Wage as well as end to outsourcing and the insecurity, discrimination and low pay it causes.
The PCS strikers led a lively rally with plenty of singing, dancing and shouting of slogans expressing their demands, which was followed by several speeches, including from Labour MP Chris Williamson, who brought messages of support from Labour shadow cabinet members and promises that a Labour government would end outsourcing.
The marchers continued the short walk to the Ministry of Justice in Petty France, where low paid workers belonging to the United Voices of the World union at the Ministry of Justice have been campaigning for some time to get the London Living wage, but the Justice Minister has refused to talk with them. Many wore t-shirts calling it the Ministry of Injustice.
During the rally outside the building some of the UVW workers who had already been on strike for 24 hours went back into the ministry to resume work, to cheers and hugs from those on the street outside. The rally ended with music and dancing on the pavement, and I left for a rather late pub lunch in Holborn.
I’d been intending to walk a short section of the Capital Ring, mainly beside the River Thames, for some months as it had been quite a few years since I’d last been there and wanted to see how it had changed. I had an afternoon with nothing else I needed to photograph and although the sunny weather with clear blue skies was not ideal it seemed a good opportunity.
Panoramic photographs almost always have large expanses of sky, and on days like this it tends lack interest, as well as often giving unnatural looking variations in tone when getting closer to the sun. Getting to North Woolwich should have been simple and reasonably fast, but unfortunately there was trouble on the DLR and I had to make a less direct route, so had to rather rush on the walk and leave it half-finished. It was a few months later before I found time to go back and complete it.
I find it hard to understand why anyone should want to come and listen to Jacob Rees-Mogg, let alone pay £38 for a ticket to do so at the London Palladium.
So too did Class War, and with Jane Nicholl dressed as a nun, Mother Hysteria, and Adam Clifford as Jacob Rees Mogg they loudly asked why people had come to listen to him “spout homophobic, transphobic, racist, pro-hunting, misogynist, classist, privileged” nonsense.
Their show on the street outside was almost certainly a better show than anything that would take place later inside the venue, and all for free. Police spent a considerable amount of public money on harassing them, and provided their own rather hilarious input by searching Mother Hysteria and threatening to arrest her for carrying offensive weapons after some novelty stink bombs were found in her handbag. When I left the officer who had stopped and searched her had already spent 20 minutes trying to write her notice of stop and search, probably at a loss trying to find some way to put it that doesn’t make it sound incredibly stupid.
Digital Panoramas on the Thames Path I’ve long had an interest in panoramic photographs, both in taking them and also appreciating the work of well-known photographers who have made panoramic images. From the earliest days some photographers wanted to make pictures with a wider field of view than was possible with a normal camera and lenses, and the first patent for a specialised panoramic camera was filed in Austria in 1843, using a curved Daguerreotype plate and rotating lens.
The earliest existing panoramic photographs appear to be those by Friedrich von Martens made in the early 1840s – such as this example on Wikimedia dated from 1846. There are also paper prints from the same era, presumably made from calotype negatives. As well as making single exposures with an angle of view of around 150°, von Martens and others made panoramas using multiple exposures, often with normal lenses. Martens produced what was probably the first 360° panorama using three curved Daguerreotype plates.
Normally we use cameras with rectilinear lenses to render straight lines in the subject as straight lines in the picture. But as the distance from the lens centre to the film or sensor gets longer towards the edges and corners, the image magnification also increases. This begins to be noticeable with extreme wideangle lenses, although more of a problem with some subject matter than others.
Although I’ve worked with a full-frame lens at 12mm, I’ve found that for general purposes a practical limit is around 15-16mm with 18mm generally more useful, corresponding to an horizontal angle of view of 90°. Beyond that the image stretching usually becomes too noticeable.
The first really popular specialised panoramic film cameras were the 1899 #4 Kodak Panoram and the Circut, patented in 1904 and produced in a range of sizes until 1945. Some were still in use until recently for producing long roll photographs of perhaps 800 pupils sitting in rows on the school field. They rotated slowly enough for some students to run around the back of the group and appear at both ends. Cameras of this type were used to great effect by photographers including Josef Sudek.
Having made several multi-image panoramas and found the process limiting I bought my first rather more modest panoramic camera, a Japanese Widelux taking images on 35mm film in 1991. Later I bought a Russian Horizon which gave similar results, and a 120 format Chinese model. I still have these along with a Hasselblad X-Pan, not really a true panoramic camera, but using a panoramic format – with the standard lens it only gives a similar angle of view to a 28mm lens, and even with the 30mmm wideangle I mainly used only around a 90° angle of view.
These cameras were the main reason I continued using some film after going digital in 2002. But some years later I found a way of working with digital cameras to make panoramic images, using a fisheye lens and then ‘defishing’ this with software to give a similar image to those made with the swing lens cameras.
These pictures were taken seven years ago on a short walk along one of my favourite sections of the Thames Path in London, from Vauxhall to Wandsworth on Sunday 5th January 2014.
I took images handheld with a Nikon D800E using a Nikon 16mm f2.8 fisheye lens, and later converted them using an Equirectangular projection in PTGui software. I now generally use the more convenient Lightroom Export plug-in https://www.imadio.com/products/prodpage_hemi.aspx ‘Fisheye-Hemi’ from Imadio.
You can see larger images and many more from the walk at Thames Path Panoramas on My London Diary.
NSSN, TUSC and Southwark Unison protested at the Care UK offices in Southwark during the nation-wide day of solidarity with Doncaster Care UK workers who had been on strike for 81 days after huge cuts in pay and services by a private equity company taking over a part of the NHS, part of the continuing largely hidden privatisation of our NHS.
This protest was one of many around the country outside offices of Care UK and Bridgepoint, the private equity firm that owns Care UK, as well as at shops including branches of Fat Face and Pret a Manger also owned by Bridgepoint. As I wrote:
Their strike is not just about their own cuts in wages, but a stand against the principles involved and the whole idea of a values-based health service. The workers at Care UK are no longer able to proudly address the needs of those with learning disorders in their own community, but are simply required to meet minimum needs at the lowest possible cost – and the greatest profit to Bridgepoint and the company to which they will be sold on once the private equity company has slimmed services and pay to the bone.
Protesters at outside SOAS called for the release of former SOAS Law student Ghoncheh Ghavami, held in prison for 104 days and on hunger strike for 10 days after being detained in Iran with other women after she went to watch a volleyball match. Among those who spoke at the protest was Ghavami’s brother.
According to Wikipedia, “Ghavami was released on bail on 23 November 2014. She was sentenced to a one-year jail term and a two-year travel ban.”
I had a little time to spare between events and took a short walk in the City, including along one of the remaining areas of ‘highwalk’ at the southwest of the Barbican site, part of the post-war plan to segregate pedestrians from traffic.
The Museum of London had decorated the wall at left with characters related to an exhibition about Sherlock Holmes.
This large building site was on what used to be St Alphage Highwalk. The ambitious post-war plans to separate pedestrians from traffic in the City were never really practical on a large scale and large sections such as this have been demolished, although there are still some highwalks including throughout the large Barbican estate.
The Palestinian Prisoners Campaign continued their campaign against Hewlett-Packard, which boasts of ‘a massive presence’ in Israel and are the IT backbone for the Israeli war machine with a picket outside their London offices in Wood St in the City.
The National Campaign Against Fees and Cuts organised a protest at the Chinese Embassy in solidarity with the ‘umbrella revolution’ of the students and workers of Hong Kong in their fight for democracy. Many of the protesters carried umbrellas and others had small yellow paper umbrellas as well as their posters and placards.
I first visited Swanscombe back in 1985, when I was photographing along the south bank of the River Thames and Lower Thameside. Until the 1840s this area of North Kent had been relatively remove and rural, with riverside marshes largely untouched and valuable agricultural land on the higher areas growing food for the capital.
Portland Cement was patented by by Joseph Aspdin in 1824 and the later developed by his sone William, but the modern version of it was developed at Swanscombe by Isaac Charles Johnson, then manager of John Bazeley White’s cement plant. Johnson soon after left J B Whites to set up his own cement plants, including those nearby at Geenhithe and Cliffe, and Frindsbury on the Medway. In 1911 C Johnson & Co became a part of the Blue Circle Group.
The building of London’s sewers led both to a large demand for cement and also led the Metropolitan Board of Works to provide a specification for their needs which became the standard for Portland Cement. Portland Cement is the cement used in almost all concrete, mortar, stucco and grouting.
From around 1900 virtually all cement has been made in large rotary kilns, with flames heating limestone or chalk with clay-containing minerals at around 1500-1600 degrees Celsius. Water and carbon dioxide are driven off as the minerals combine to give silicates (mainly (tricalcium silicate, dicalcium silicate, tricalcium aluminate and tetracalcium aluminoferrite). Around 10% of world CO2 production which fuels climate change is due to cement manufacture, and smaller amounts of other polluting materials are also released in the process – hence the high chimneys of cement works. The small lumps of ‘cement clinker’ that emerge at the lower end of the kiln are then ground to a fine powder, often with added gypsum (calcium sulphate) or limestone to give cement.
Cement can cause burns and it readily absorbs water, hardening to form solid hydrated material and firmly embedding the sand or aggregate it is mixed with for most uses. Over many thousands of years the River Thames in this area had cut its course up to the chalk of the North Downs, and since the 1840s much of that chalk has been quarried, leaving deep pits with often fairly narrow strips left for roads through the area and housing. One of those deep pits now holds the Bluewater shopping centre at Greenhithe and others are filled with various industrial properties or housing. The industry over around 150 years completely transformed the landscape. But by the time I first came to photograph it, this post-industrial landscape was rapidly being reclaimed by nature.
Down the centre of the Swanscombe peninsula is the footpath, Pilgrims Road, leading down towards where a ferry once brought pilgrims on their way to Canterbury from a ferry across the River Thames from close by St Clement’s Church, still there beside the detergent works at South Stifford. Later clay was brought across the river from Essex to wharves for making cement, as well as coal, probably coming by coaster from the north-east to fuel the kilns. Ropeways or conveyor belts will have linked the wharves to the cement plant.
In 2012 I heard of the plans to transform part at least of the area yet again, into the Paramount London theme park, a leisure attraction along the lines of Thorpe Park, which would destroy the area as I knew it. Although I decided to come and photograph the area again before that happened it took me three years to return and do it, cycling around the area on a Brompton, (though occasionally I had to leave it a explore on foot.) Five years on, the plans are still plans and I hope to go back again next month.
With a few exceptions, the pictures here are wide-angle panoramics, with a horizontal angle of view of around 145 degrees and a vertical angle of view of roughly 90 degrees which results in a ‘normal’ aspect ratio of 1.5 : 1 – I usually took these intending to crop to a 1.9:1 ration but have left them uncropped. A few are taken with more normal wide-angle lenses.
On My London Diary you can see more of these pictures, and also read more about the area and my day there in 2015. The images display a little larger on that site.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
I took the Underground to Seven Sisters, pausing while I waited for a bus to take a few pictures of the shops that would be lost with the redevelopment of the ‘Latin Village’ along with that thriving indoor market. For once I had a clear view from the bus and I took a few pictures as it made its way north to Tottenham job centre. I arrived earlier than expected and walked on the short distance to Tottenham’s new ground, officially opened the previous week, before walking back to photograph the protest I had come for.
The stadium did seem quite impressive from the outside, though like many others I was less impressed to hear that the football club are keen to pay TfL to change the name of the railway station in White Hart Lane to ‘Tottenham Hotspur’. I’m pleased to see that it still has its old name now, 149 years after it opened with it. Spurs wanted the change because it would increase the chances of finding a sponsor for the new stadium, but there was considerable opposition. And while there is precedent – Gillespie Road on the Picadilly line was renamed Arsenal in 1932 – since that team has now moved from their old ground it perhaps wasn’t a good idea.
The protest outside the Tottenham Jobcentre Plus was organised by the North London Revolutionary Communist Group and others and was one of many that have been taking place regularly outside job centres calling for Universal Credit to be scrapped. UC was badly thought out but even more poorly implemented, both thanks to Iain Duncan Smith, Secretary of State for Work and Pensions from 2010 to 2016. Designed both to rationalise and cut benefits, it incorporates a delay typically of five weeks between the old benefits ceasing and UC being paid, leaving many with nothing to live on. Some minor improvements have been made, including the availability of loans, but those on benefits are not really in any position to repay loans. Together with a harsh benefits sanction regime which had meant some claimants have lost benefits for long periods for relatively trivial reasons – such as being a few minutes late for an appointment – or having an accident on the way to one, this has resulted in a huge growth in reliance on food banks and even some deaths due to starvation and being unable to heat homes. Many have been forced into huge rent arrears – and in 2018 one in 38 of new claimants became homeless because of evictions.
The campaigners were still handing out leaflets and talking to clients going into the job centre and leaving when I caught the bus to make my way down to Bethnal Green. The weather, with sun, blue sky and some clouds was perfect for continuing my project making panoramic images of the Regent’s Canal in preparation for a show to celebrate the 200th anniversary of its opening in 1820.
As well as pictures showing the canal I took a few more on my way to Bethnal Green, as well as walking around the area, then along the canal west to Broadway Market.
It was then time to get on a bus again, to make my way to the offices of News Corp at London Bridge, where Transmission, a group supporting the rights of trans people, were protesting outside the offices of The Times newspaper against their publication of transphobic articles.
They say the paper has published an unfair article by Lucy Bannerman against the Tavistock Centre and medical services for trans children and has earlier targeted the trans charity Mermaids and ostracised trans athletes for competing in sports.
Two years ago today Class War protested outside the London Palladium against Jacob Rees-Mogg, who they accused of spouting “homophobic, transphobic, racist, pro-hunting, misogynist, classist, privileged” nonsense. Rees-Mogg had booked London’s best known venue to preach more of this to his fans, who had paid £38 for a ticket to this freak show.
I met up with Class War at a pub a short walk from the Palladium and found a small group there with Jane Nicholl dressed as a nun, Mother Hysteria, and Adam Clifford as Jacob Rees Mogg and there was time for them to take a selfie and everyone to finish their drinks before the small group moved off to the entrance to the Palladium where a few more of there supporters were waiting and long queues were waiting to enter for the performance inside.
As well as the fans there were of course a large group of security men and police in attendance (all probably thanking Class War for the overtime.) And when Class War held up posters and banners the waiting crowd had their hopes for what they had paid to come and see confirmed. One or two did come across to insult the protesters, and a few others passing by came to share their similar views of Mogg with Class War.
Police did their best to render the protest less effective and moved the group to the opposite side of the pedestrianised street and issued various warnings to harass them. Eventually they stopped and searched Jane Nicholl, threatening her with arrest as they found stink bombs in her handbag which they claimed were offensive weapons. I stood for almost 20 minutes watching the officer writing out “her notice of stop and search, perhaps because he is at a loss trying to find some way that doesn’t make the police action sound stupid” before deciding I had to go home and file my pictures.
Rally for an end to Outsourcing
This protest had come at the end of a long and varied day for me, which had begun with a coordinated action by the UVW, IWGB, and the BEIS PCS branch demanding an end to outsourcing and the insecurity, discrimination and low pay it causes. A legal challenge was demanding better rights for the 3.3 million outsourced workers in the UK, and protesters had met at the University of London at 8am to march to a protest outside the High Court before moving on to a rally in Parliament Square where I joined them a couple of hours later.
Outsourced Workers protest at BEIS
From Parliament Square it was a short walk to the Dept for Business, Energy & Industrial Strategy in Victoria St where outsourced workers including catering and security staff in the PCS were striking in support of their demand for the London Living Wage as well as end to outsourcing and the insecurity, discrimination and low pay it causes.
Outsourced Workers at Justice ministry
After a rally and speeches at the BEIS, the protest by outsourced workers moved on to the Ministry of Justice (though they call in the Ministry of Injustice) where low paid workers belonging the the United Voices of the World union who had been on strike for 24 hours were going back to work. They also want the London Living Wage and fair conditions of service rather than the poverty and insecurity of outsourcing.
North Woolwich
When the protest at the Justice Ministry came to an end I went to have a quick lunch and, as I had several hours to spare before the Class War action, went to take some photographs at North Woolwich. Unfortunately I arrived at Bank station for the DLR only to find there were no trains running – and no information as to when they might resume service.
It took me rather longer than anticipated to get there, taking the Northern Line to London Bridge and a train to Woolwich Arsenal. Fortunately by then services were running from there to North Woolwich, saving me a walk across the river but I still had rather less time than I needed and had to rush away before finishing my planned route, mainly beside the River Thames. It was a pleasant day for a walk, but a clear blue sky is not good for panoramic views.
All photographs on this and my other sites, unless otherwise stated, are taken by and copyright of Peter Marshall, and are available for reproduction or can be bought as prints.
